Friday, December 19, 2014

KROM ON A ROOFTOP

Photos by Alasdair McLeod
Words by James A. Newman
 
THE ROOF TERRACE of the Hansar hotel, a cool December breeze, up here the air is cleaner, pollution less troublesome, corruption more bearable in the clouds than on the streets. The bar counter sits beneath a giant Chinese lantern. A lantern that may or may not have been changing color. A chameleon lantern perhaps? Potted plants, sofas. Chilean wine. 
 
Christopher Minko sits cross-legged picking effortlessly at a blonde wood electric acoustic. Jimmy plays slide guitar. Bass player James Sokleap plays multicolored strings. Cambodian chanteuses sisters Chamroeun harmonize flawlessly with a professional traditional gracefulness. Hearts were broken, CDs purchased. Krom were finally playing for the first night in Bangkok city. This was an event. Christopher Minko's guitar is a controlled and measured instrument. Picking strong deliberate notes complemented by the slide guitar and those haunting harmonies this music evokes a mystical sound - a sound you feel you've heard somewhere before. A nostalgic sound. Minko's vocal range is a deep gritty noir growl of injustice. The sound of a man hanging around in a world gone wrong. Hanging around to warn others of the dangers. There may be hope somewhere, but hope comes in many disguises, most of them black. 

7 Years Old is a disturbing meditation on the hopelessness of child prostitution. The inner scars that will never heal should be exhibited via song to heed warning to others. The Haunted is haunting in every sense - it stays with you.  Down Sukhumvit Road is just that. Passion and Rain and Sadness just some of the other titles.

Krom is a unique band.  A truly international group who  have created their own genre. We were thrilled to have the chance to watch them play in this wonderful venue.


Newman, Catto-Smith, Minko and Cummings.


You really do have to hear this band  live to appreciate them, but if you can't, then pick up their latest CD: NEON DARK.

For those in Bangkok don't miss out. Krom play tonight at the Overground bar on Sukhumvit soi 22 hosted by Grahame Lynch.

Visit the venue here:   https://www.facebook.com/OvergroundBarCafe
Visit the band here: https://www.facebook.com/KromSong
 

 
 
 
 
 
 



Saturday, September 20, 2014

Guest Blog. John Fengler. Ko SiChang.


I fell in love with the island a few years back and had the unique chance to meet David who runs, in my mind and my family's mind the best place to eat in Thailand - Pan and Davids Restaurant. David has lived in Thailand for fifty years and remembers when Pattaya had no nightlife, but there was a little island that had. Nightlife, that is. That place was Ko SiChang. Now the nightlife has left the island and it is one of the untouched wonders swept aside by travel book writers. Untouched , well, maybe not. But undeveloped by tourist ventures the island remains mainly a place of commerce - fishing and import / export by ship.  No bars nor late night entertainment are to be found here. It's a Lonely Planet oddity. A place that has not been over developed and one that has reversed the cycle of the typical drunk expat deceleration of "You should have been here ten years ago."  Where's the fun in writing or indeed talking about a place that was once decadent but now is not? This interests me. David would watch the neon lights blinking from Si Chang and now the neon lights have gone, disappeared, perhaps forever. We mused about the island becoming another tourist mecca. "It'll never happen," David told me after the fourth glass of wine. "For one thing they don't allow cars on the island. The Hiso won't buy it." There was once plans to build a bridge to the island from Si Racha. Thankfully these plans have been abandoned by the new Happy government.

I bumped into a friend and a writer John Fengler who had written something years ago about the island. It was too good not to share.  So I present to you John's take on Ko SiChang. Please enjoy, but don't go there...It may go full circle. Please don't go there. There are only two foreigners living on the island and she has her own immigration department which means basically that it is the best place in the world to live if your book is turned into a movie and you want to write Bond type books. There's even talk of a secret tunnel.

I hand you over to John.

Koh si Chang 


Dateline: lonely Planet days
Author: John Fengler.


The real ones, where entries included tips on traveling, real tips. How to skirt this or that border, which crossing had more visa friendly officers, where the 'off the beaten path' truly was. Another time.

I was armed with the first edition LP Thailand, which was about 3/4 of an inch thick for the whole country.

I followed a lead to an island in the gulf of Thailand about 100 kilometers south of the capital.

There was a rumor of a partially built Royal palace, that had been abandoned in the late 19th century when the French had short lived dreams of occupation. I didn't need much provocation for an adventure.

There was no regular transport to the island that I was aware of, but I managed to finagle a ride on a fishing boat. The boat driver gave me a bit of a concerned look and said; 'but nothing there for you', meaning no hotels, restaurants etc.

I said that he just sealed the deal. I had my backpack.

I managed to get a local motorcyclist to take me into the jungle, to the site of the old palace. I also let him know it was ok to leave me there. Crazy Falang.

Truly a remarkable sight, an incomplete royal residence, that was now, 100 years later, being ingested by the surrounding jungle. A marble floor of the grand entryway, where i eventually spent the night, columned balustrades lining a swimming pool that had never been filled with anything but rain water, and mysterious stairways that led to nowhere, or maybe some Hobbit world, only accessible by wearing a certain ring.

I awoke rested and unmolested by anything larger than a mosquito. Filled with wonder i set out on foot for the coast. It was a  island after all, how lost could i get?

I was crossing a bit of arid midlands when i came upon a rock face. It looked to be an easy climb, and far more promising than the long slog around it. I hefted up the rock, and was about 20 feet up when i threw my hand over the top. Ready to hoist up and over, i saw then felt a thousand fire ants racing down my hand and arm. They live in boxes  made of leaves and held together by their spit. They are virtually undetectable to the untrained eye, especially a blind one lifting over a ledge. They bite and it hurts. I had to fight my natural instinct to pull my hand back in retreat, as i would have plummeted to certain injury, if not more. Mind over matter works until the adrenaline wears off, so over the top i went. Brushing them off and gathering my wits i headed off again, this time on a slightly more elevated, but no less arid plain. But now i could see the Gulf. About twenty minutes further i turned and noticed a saffron robed monk standing in the openness. He had appeared out of nowhere. He smiled at me and then disappeared into the ground. I am prone to hyperbole, but not to illusion. I ran to where i had just seen him and found a hole in the ground. Peeking into it, my new monk friend was suspended in the darkness and holding onto a vine. He smiled again and gestured me to follow him. Of course i did. It was a cave entrance. The cool dank moist air was a relief from the dry arid air i had been breathing. There were recessed Buddha images carved into the limestone, and Buddhist adornments all around. I followed him in amazement until reaching a cathedral, as they are called in the spelunking world. An expansive high ceiling part of a cave. I looked up with my mouth agape in wonder. The monk then slid to my side and gently reached up to my chin and closed my mouth. He smiled and pointed at the roof of the cave and mimicked the flapping motion of bats. The international symbol of 'he who looks at cave roof with mouth open, eats bat guano'.

Continuing my tour of this subterranean temple, we wound up at a horizontal opening with an expansive view of the Gulf. Entered by descending into a field, and exited onto a sea front vista. There were many monks there, laughing at unknown things and completely unsurprised by my presence. One was peeling hard boiled eggs and tossing them to what i took to be their pet monitor  lizard. I didn't know one could domesticate them, but hell they were monks. Just some  more magic I suppose. Like an idiot i went over to pet it. THWACK went it's pre pre-tensile tail to my inner thigh, about 2 inches from Vienna boys choir destination. I had a welt for years from that. Somehow that endeared me to no end with my new hosts. We sat there with no words in common for awhile. With no signal that i could sense, they all stood up and then gestured that i should enter a previously unseen chamber in the cave. There was a wooden platform raised about a foot off of the ground. I was instructed to take my flip flops off and sit on the platform. I sat there with a goofy smile for a few minutes when the grand poobah came in. He was straight out of central casting where they call for a wisened seer. I wanted to rub his belly. He sat across from me, a little bit higher on a second platform. He crossed his legs, assessed me for a moment, and then in decent English said; 'what do you want to know?'.

Really? REALLY?

I was in my early twenties, a post Sartre infused graduate, and a traveller. I wanted to know everything. Why are we here? What is the difference between sin and crime? Is there life after death? My mind raced. I knew i had stumbled onto a great, seminal moment in  my life. No time to question the whys of it. Boots on the ground.  I wanted to ask something accessible, linguistically as well as philosophically. I didn't want to squander this opportunity, but didn't want to come off as an idiot either.

I said; ' i want to know how to meditate'. That's the best i could come up with.
He beamed back at me. It was the right question.

He scooted a bit closer to me, reached over and adjusted my posture. He then lowered his eyelids partially, into the Sukhothai pose, and slowly, beautifully, rhythmically inhaled, all the while drawing out the sound 'Booooooooo', and then at the apogee of his breath he exhaled and chanted; 'Daaaaaaaaaaaaa. It was a seamless breath, much as the circular breathers of the digereedoo have mastered. I Practised in front of him for a bit, until he gave me a 'too late for you grasshopper' look, and released me to my previous hosts. I ate rice with the monks for a day, taught them a few words in English, and fended off their great attempts to tattoo me. It was a monastic hermitage i found out. It was a particular destination for true disciples from temples all over the country. I had found it by accident, or providence.

The next day i took my leave and headed over to the other side of the island, much the same route i had taken to get where i was.

I walked for several hours across the same arid expanse as before. I then caught sight of the farthest shore right before the walls of the path obscured the coast with a sharp descent. I followed a now curiously well worn trail, came around a final blind corner, and encountered the next most extraordinary vision. On either side of the trail, which had suddenly turned tropical, were two lovely Thai sirens, wearing long traditional silk wraps. Each was holding two halves of a freshly cut pomegranate. They gave me warm smiles that betrayed no surprise at my presence. Quite the contrary, as it seemed they had been expecting me.
They both then turned and ushered me to a teak home which jutted out over the water, with it's Gulf end supported by wooden piers. There were buckets of crabs, fishing nets, a steaming pot of soup suspended over a charcoal fire, and a couple of teak fishing boats. They sat me down in what was i suspected, the living room. It was the closest comparison i could make being that the whole place was more or less open air.

I waited for the next surprise. A short while later a man came over and sat across from me. He was about 10 years older than me, and had a gentle but concerned look about him. He had things on his mind.

I was his guest, as is the Thai way, but i was an uninvited one. I looked him in the eyes, pointed at myself and said; 'johhhhnnnn', and then smiled.
He paused, gave a sardonic smile and said; "name's Paul. I used to be V.P. of BBD&O advertising in L.A."

WHAT???

How? What? Why? And who were those girls?
"It's a small island. We knew you were here three days ago. Expected you to turn up sooner but guess you found the monks?!"

"I'm Thai by birth and this was the family homestead." His tone became forlorn, continuing with; "Dad was a crab fisherman and i inherited the place so I'm stuck here."

'Stuck' i exclaimed. People would kill to be stuck here!

"He gave a deflated smirk and said; "yeah you want to buy it?"

Um well no but...

"Yeah nobody else does either. It's a golden albatross. Anyway let's eat some crab and you can tell me about the world. I'll have one of the girls ferry you back to shore later. It's the only way out of here unless you want to hike across the tundra again."

We talked until the sun began to set. He said he had to tend to his traps. I thanked him for his hospitality and wished his good luck.

One of the sirens had changed into Thai fisherman's pants and a Chinese shirt. She smiled that enigmatic Thai smile and silently steered me back to the world.

Sunday, August 31, 2014

BANGKOK LAUGHS WITH CHRIS WEGODA




I FIRST MET actor Chris Wegoda while holding auditions for THE NATIVES a comical satirical play (tightly written, exceptionally great dialogue - whoever wrote that thing?) about dysfunctional English language teachers in Thailand. Chris Wegoda was chosen to take the role of a nerdy intellectual academic (forever typecast, is Wegoda) thrown together with a red-neck Kiwi, a yoga bothering eco-warrior vegan, a Vietnam war Washington Square acid casualty, a Star Wars geek and a bargirl. Parts played by Jay Acton, Meirav Botley, John Marengo, FC Beer Nieuwoudt and Suwida Boonyatistarn respectively. The show is on ice. I mean, not like Disney on ice. Nor performed on meth. The show is on hold, for now. But guys, if you are reading lets get it back on track.

I digress....

In the meantime Chris has been a busy man, camping it up in The Rocky Horror Picture Show at the Checkinn and again in the Second World War stage production Bent. Not only has Chris trod the boards across town he has also penned a deal for a motion picture being shot here in Thailand and also does a bit of modeling work on the side. As long as I can recall he has been an active member of the Bangkok Comedy circuit and is about to launch his own - The Comedy Club Bangkok will be situated on the top floor of one of our favourite boozers - The Royal Oak.

I caught up with Chris Wegoda yesterday.
Wegoda. Standing up.

       
What makes you laugh?
I think about this for a lot. For sure everyday life is funny, it just is. Not everything of course, just the funny bits.  In terms of watching comedy, it wasn’t stand-up when I was growing up in the UK, sitcoms were huge such as Only Fools and Horses, also improv comedy with Whose Line is It Anyway? And perhaps my favourite, Shooting Stars a mock game-show of craziness and fun with Vic Reeves and Bob Mortimer… Now of course stand-up and panel-shows are all the rage.

What's all this comedy business down at the Royal Oak?
Ha! Bangkok’s first dedicated comedy venue! After running The Londoner open-mic for 3 years and that pub closing down, it was time to move on and move up. Bangkok deserves a real comedy club. The scene is lightyears ahead of what there was before The Londoner, as it is as much about cultivating the comedy scene with the resident Bangkokians as bringing in professional talent. Plus now the improv comedy scene is really kicking and I've teemed up with Canadian pro improviser Drew McCreadie (an award winner no less)! So the combination of stand-up, improv and a lot more now has a home and to start with the audience will know where to go every Friday for comedy.
The Royal Oak. Yesterday.
Tell us about the strangest thing that's happened at a comedy event?
Where to start… a drunk guy falling off his chair, another guy violently vomiting (not because of the comedy), me trying to (jokingly) chat up a girl on stage and finding out she’s a lesbian, or a comedian emptying large chunks of the audience? There’s been a few!

Chris, you also have some stage and film stuff going on, tell us about it?
It’s funny that when I started doing comedy, I was not keen on the label ‘comedian’ I wanted to be called an actor first and foremost, now I have to say both! As for the acting I do anything, film, short film, commercials, voice-overs (such as in the English dub of Yak – Thailand’s biggest budget and most successful animation of all time) and more. For stage, I recently had the lead in BENT – a play about the persecution of homosexuals and WWII, worlds apart from my comedy work although it did have many comedic moments.  It was the first play for ’Peel The Limelight’ who’s aim is to bring professional theatre to Bangkok, and trust me they did! Honoured to be a part. Also recently I  did the musicals Moulin Rouge as Christian and The Rocky Horror Show as Dr. Frank-N-Furter. Thankfully all well received. I also work on film such as the Thai cinema release movie ‘Scissors, egg, silk and 2 ½ Baht and will be shooting as the lead in English language, Thai produced comedy later this year. 
A Yak. This morning.
What's the best way to spend an evening in Bangkok, if its raining, and you forgot your raincoat?
Well if you have a partner the answer is pretty obvious and if you don’t it’s important to love yourself. Asides from that, I like watching old British television and one or two new American series. I’m also a big movie buff.

Top five movies?
I hate these questions! These might not be my top five exactly, but they are damned good movies!
Godfather 1&2
Goodfellas
Empire Strikes Back
Aliens
A Beautiful Mind
Predator
Tootsie

Thanks and look forward to seeing the first show!!!

Cheers. The GRAND OPENING SHOW of The Comedy Club Bangkok, September 12, 8pm!!
Incredible to have such an incredible headliner from L.A (originally from Scotland) plus awesome local Bangkok talent for a show of stand-up AND improv comedy (think Whose Line is it Anyway?)!

Tickets Just 500 baht in advance or 750 baht on the door (includes a drink), now on sale at The Royal Oak and online at www.comedyclubbangkok.com !!!

For more details visit The Comedy Club Bangkok's facebook page HERE



Tuesday, June 24, 2014

The Never Ending Loneliness in Bangkok



The Never Ending Loneliness for Two directed by Egle Simkeviciute Kulvelis
The Hop, Silom Bangkok. 21st June 2014

Lithuanian writer Sigitas Parulskis’s The Never Ending Loneliness for two was shown last weekend at The Hop, an interesting venue that usually functions as a dance studio on Silom Road, Bangkok - a city with pockets of vice, seedy streets, and upmarket massage joints. Where foreign men brand themselves heroes while saving burned souls, patching up torn-up dreams, trampled hopes. Where high society Thai love affairs flourish, precious daughters in sharp office suits and iPhones crushing candy or chasing cookies on the Mass Transit systems while messaging loved ones online. A city where promiscuity is considered normal and even encouraged with a few minor wives and major heartbreak along the way. Love is a strange concept in Bangkok, yet desire, greed, and gratification hangs above every street like the tangled electrical wiring betwixt concrete posts. Hedonism leaps from one room to the other like cats springing from building to building landing on perilous balconies, nine lives intact, terminal dermatitis and tangled, knotted tails. A city more befitting for the darkly disturbing Never Ending Loneliness for Two there may not be.
Five different couples each have their own scene, yet one may feel, owing to the chemistry between the two actors (Pattarasuda Anuman Rajadhon and James Laver) we are watching the same couple experiencing poignant stages of their relationship, and perhaps we are. What we percive may be more powerful than what is intended. Prize-winning Lithuanian poet, essayist and playwright Sigitas Parulskis has created a piece of literature dealing with universal issues; romance, sex, death of romance, violence, threat of violence and ultimately death. Kulvelis manages to shine a light on the darkness of it all with the help of a strong cast and interesting venue, the stage backed by a huge mirror, and spiral staircase leading perhaps to despair... 
We begin with a rekindled love affair of two former school children which transfigures into a simple tryst between a client and a prostitute in a hotel room. Hmmm. Sense that moment when one lies to oneself  and to the other with the impossible hope that they we are entering somebody else, a ghost, a memory, an ideal, equal. Rajadhon performs her role with enormous energy and emotional range, Laver responds with equal verve and strength. The technique here and throughout the production is the use of both inner dialogue and direct exchanges between the couple(s). This is perhaps a difficult technique to perform well and at times effective, at others distracting. The play runs at warp speed, the audience have little time to reflect on the effectiveness of narrative structure. It is the words and the delivery that count.
  
A couple meet on a train and following the exchange of a few words the inner dialogue is narrated by the pair. While attracted to one another they both realize that the shyness that attracts them to each other is the very obstacle that will keep them apart.   
The first flash of potential violence evolves as our next couple tussle with a prop that may or may not be a gun, and they escape unscathed apart from the physical and verbal bruises.
“Nobody would give a gun to a nut like you.” – She tells him.
A wife and husband have reached the point where each one knows what the other is thinking. The joy and familiarity of despair is all that keeps them together, trapped by what was once desirable now a cruel glue binding them to eternal indifference. There appears to be only one means of escape ..
“I asked her although I know the answer, communication becomes impossible, all the answers have been learned by now, and questions – questions are meant for oneself so as to push the answers further away.”

And...
“A knife-edge is the straightest and surest way to intimacy,”
A fine line and one of many in this well-written, at times perhaps, over-written treatment. The language is thoughtful, careful, and rich. We discover the killing of his wife was but a wishful dream.   
The final scene. Tombstone Mirrors. Set in a cemetery where a man meets his first love, a woman married to another man:
“You wanted to be like the dead, especially dead for me, and I, had already been a ghost for a quite a while by then, hearing nothing, saying nothing, a shade wandering in the graveyard.”
This strongest scene extends the ambiguous themes explored throughout this dark literary stage production. We are left to wonder if the two characters have finally left the earth to reunite in heaven? Were all the couples connected in some unearthly way? The same couple? 

The audience likes to participate with a novel, a film or a play. One way the writer and director can do this is to leave us asking questions.
One answer to these questions is  that we are just like the Bangkok cat jumping from balcony to balcony and glimpsing through grime-stained windows and quietly watching the bizarre human relationships that percolate within the private loneliness couples compulsively cultivate around the world. Every minute. Each day.  
The Never Ending Loneliness for Two continues this weekend at Toot Yung Art Center, Bangkok. For more information and tickets visit their facebook page  HERE

Thursday, June 5, 2014

BENT in Bangkok





BENT, the Martin Sherman play, had its first showing in Bangkok last weekend. This award winning play originally opened on the West End Stage back in 1979 and made it to Broadway in 1980 with Richard Gere taking the lead role. 1997 saw the feature film version pick up an award at the Cannes Film festival with performances by none other than Jude Law and Mick Jagger. 

In 2014, in Bangkok, a city fittingly it might seem, under military rule, this meditation of The Night of the Long Knives took place on the stage. Peel The Limelight and the Petralai Management Theatre of Chualalongkorn a new dynamic production outfit working out of the Chula business university campus and serving, wait for it, lime juice during the interval, had a lot to contend with. Cancelations of the earlier shows due to the military curfew, disruptions with public transport systems, a new curfew, mobs demonstrating, photographers and bloggers capturing or hoping to capture a slice of the action. Who had time for a play about the military take-over of a country when it was happening on the streets for real? 

I had trouble finding the venue (Shiraz, Guinness)before being shown to a high floor in the business faculty by a kindly lecturer. The show was about to start. No time for lime juice, straight into the action. The audience were both Thai and international and I gathered mostly students or somehow attached to the university.       

Prior knowledge of the persecution of one hundred thousand homosexuals during the Nazi Germany ethnic cleansing campaign was not required for a full understanding of the play, nor is appreciation of the artistic movement between the wars and the decadence that flourished in the city of Berlin. Flourished that is before the Nazis moved in. But a brief background certainly would not hurt to understand the atmosphere and conditions under which this story is framed.

Max, played by British born actor Chris Wegoda is having trouble with his wealthy family due to his involvement with boyfriend Rudy, played by I-Nam Jiemvitayanukoon. A realtionship discovered by the Nazis as Max engages in an affair with Wolfgang Granz, played by James Laver, who is a man wanted by Hitlar's Gestapo.  The pair flee the city with the help from uncle Freddy performed by musician and thespian Kevin Wood. However, Max and Rudy are caught and arrested by the Gestapo and bound on a train heading to the Dachau concentration camp. 

The action intensifies as Rudy is beaten to death on the train and, Max, rather than suffer the same treatment tells the Gestapo that he is a Jew thus not being made to wear the pink triangle that brands the gay prisoners. In one of Wegoda’s / Max’s most powerful scenes he confesses to intercourse with a deceased teenage girl, under the watchful eyes of the Gestapo to prove that he is not a homosexual. This is a poweful moment in the play.

On the train the lone survivor meets Horst played by Jaime Zuniga who quickly becomes Max’s friend and later, while assigned to work together in the concentration camp, his lover.

The play ends tragically after Horst is shot and Max ends his life by jumping into the electrical fence that stands between them and their freedom to not only live, but live a lifestyle that was once tolerated if not encouraged by the status quo of that decadent age.                

Peel the Limelight is a tidy venue, well designed and set-up with fantastic use of lighting and a professional prop rotation team who enhanced this edgy, somewhat disturbing show. 

Chris Wegoda bravely took the main role and was struck by flashes of brilliance. Wegoda has impressed the Bangkok stage thus far with a fine performance in The Rocky Horror Picture and the Moulin Rouge at the Checkinn99. He continues to improve his craft. Jaime Zuniga, who has put on productions in Vietnam also carried his difficult role very well. My only criticism would be the repetitive nature of the carrying of rocks from one side of the stage to the other. Yet under the conditions of a concentration camp one can only imagine the drudgery of day to day life. The real chemistry sparked as the two actors put down the rocks and faced the audience addressing each other and their growing emotions towards each other without even a glance at one another for fear of the watchful eye of the Gestapo. 

I-Nam played his role well and shows great promise as a performer. Duncan foster’s Greta, a relic of the Berlin decadent scene was expertly portrayed and Kevin Wood’s role as Uncle Freddy was simply sublime. SS Captain Robert Badoux wore the uniform well. The sound was sinister and decadent and enhanced the production.  

But hats off, or Nazi caps off to director Peter O’Neil for making it all happen on a night where art on the stage was as surreal as the events outside on the streets. 

         

Thursday, January 9, 2014

Bangkok Fiction Night of Noir 2014

This years star studded line up included John Barrett, Cara Black, Christopher G. Moore, Dean Barrett, Tom Vater voice actor John Marengo (reading in preparation for the future White Flamingo audio book) My job was to introduce each writer, sign and sell a suitcase full of books and try my hardest to drink the bar dry. I think I did okay on all counts apart from that bar. It got the better of me did that bar. They always do. But enough of my babbling on (I did enough of that on the night.) Check out how the proceedings went HERE from the excellent People Things and Literature blog.